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• Comment Link Thursday, 12 December 2024 00:25 posted by บุหรี่ไอคอส ราคา

  Lady Gaga channeled her character Harley Quinn as she attended The Joker: Folie
  à Deux UK photocall at the Corinthia Hotel in London on Thursday morning. 
  
  The actress, 38, was joined at the event by co-star Joaquin Phoenix as the pair posed for photos on a rooftop with the picturesque city backdrop behind. 
  
  The Bad Romance singer looked incredible as she slipped into
  a black and white patterned minidress which boasted a white lace collate and three quarter sleeves. 
  
  She opted for a pair of sheer white knee high socks and added inches to her frame in a pair of towering black platform heels. 
  
  The star, who braved the British rain, wore her dyed red tresses in a
  short cropped style and opted for a bold red lipstick.
  
  
  
  
  Lady Gaga channeled her character Harley Quinn as she attended The Joker: Folie
  à Deux UK photocall at the Corinthia Hotel in London on Thursday morning
  
  
  
  
  
  The actress, 38, was joined at the event by co-star Joaquin Phoenix as
  the pair posed for photos on a rooftop with the picturesque city backdrop behind
  
  
  
  
  
  
  
  She seemed in good spirits as she flashed a smile while posing up
  a storm wearing a pair of black sunglasses. 
  
  Lady Gaga takes a starring role as Harley in the psychological thriller, in which Joaquin reprises his role
  as the titular Joker - Batman's soon-to-be nemesis. 
  
  For the photocall, Joaquin cut a casual figure in a black zip hoodie which he teamed with matching tracksuit
  bottoms and Converse trainers. 
  
  The stars were later joined by director Todd Phillips as the trio beamed for snaps together. 
  
  Gaga's fashion parade for the film has been a
  resounding success at least after her last big film House of Gucci released in 2021 was savaged by critics.
  
  
  The much-anticipated Folie à Deux is a follow-up to 2019's Academy Award-winning Joker, which earned more than $1 billion at the global box office and remains the highest-grossing R-rated film of
  all time.
  
  Set for release on October 4, the second instalment
  finds Arthur Fleck institutionalised at Arkham awaiting trial for his crimes as
  Joker.
  
  'While struggling with his dual identity, Arthur not only stumbles upon true love, but
  also finds the music that's always been inside him,' a press release shared.
  
  
  
  
  
  The Bad Romance singer looked incredible as she slipped into a black and white patterned
  minidress which boasted a white lace collate
  and three quarter sleeves
  
  
  
  
  
  She opted for a pair of sheer white knee high socks and
  added inches to her frame in a pair of towering black platform heels
  
  
  
  
  
  The star, who braved the British rain, wore her dyed red tresses in a short
  cropped style and opted for a bold red lipstick
  
  
  
  
  
  She seemed in good spirits as she flashed a smile while posing
  up a storm wearing a pair of black sunglasses
  
  
  
  
  
  Lady Gaga takes a starring role as Harley in the psychological thriller, in which Joaquin reprises his role as the titular Joker
  - Batman's soon-to-be nemesis
  
  
  
  
  
  For the photocall, Joaquin cut a casual figure in a black zip hoodie which he teamed with matching tracksuit
  bottoms and Converse trainers
  
  
  
  
  
  The pair were seen chatting ahead of taking pictures 
  
  
  
  
  
  The stars were later joined by director Todd Phillips as the trio beamed for snaps
  together
  
  It comes after Lady Gaga teased a new rock n' roll
  track, The Joker, in an Instagram video on Wednesday.
  
  
  At the beginning of the teaser, Lady Gaga - whose real name is
  Stefani Joanne Angelina Germanotta - wore a short, red wig as well as a
  blue and white-patterned dress.
  
  
  
  Read More
  
  Lady Gaga stuns in a custom-made gown at the UK
  premiere of Joker: Folie à Deux
  
  
  She completed the look by slipping into a pair of polka dot tights as well as black and white-colored, Converse sneakers.
  
  
  
  The singer stood near the edge of a balcony outside as she gazed at the Louvre which was lit up at night.
  
  
  As she began to walk away, Lady Gaga sang, 'There's always a joker in the pack, there's always a lonely clown.'
  
  The teaser then cut to the songstress dancing inside
  the dimly lit museum as she began to make her way down concrete steps - similar to Joaquin Phoenix's stair dance scene in Joker (2019).
  
  
  She walked down a long, dark hallway while surrounded by various paintings
  as the star continued to belt out lyrics in the background.
  
  
  'The poor laughing fool falls on his back and everyone laughs when he's down/ There's always a funny man in the game, but he's only funny by mistake.'
  
  The A Star Is Born actress then strolled into another empty room
  inside the Louvre and a small smile broke out onto her face upon seeing a
  certain piece of artwork.
  
  'And everyone laughs at him just the same. They don't see his
  lonely heartbreak,' she continued to sing.
  
  
  
  
  
  
  
  
  
  The stars shielded from the rain under an umbrella 
  
  
  
  
  
  Gaga's fashion parade for the film has been a resounding success at least
  after her last big film House of Gucci released in 2021 was savaged by critics
  
  
  
  
  
  The much-anticipated Folie à Deux is a follow-up to 2019's
  Academy Award-winning Joker, which earned more than $1 billion at the global box office and remains the
  highest-grossing R-rated film of all time
  
  Lady Gaga tilted her head to the side and slowly walked up to Leonardo da Vinci's Mona Lisa painting.
  
  
  The star flashed a bigger grin and waved - but her smile faded as she looked into the eyes of the Mona Lisa.
  
  
  
  
  Read More
  
  Lady Gaga embodies Harley Quinn as she makes her THIRD outfit change at The Joker afterparty
  
  
  She then took out red lipstick and drew Joker's smile over protective glass in front of the painting to
  give the Mona Lisa a similar grin.
  
  'They don't care as long as there is a jester, just a fool.
  As foolish as he can be. There's always a joker, that's the rule!
  But fate deals the hand that I see. The joker is me,
  ' the lyrics in the teaser also included.
  
  Lady Gaga began to walk away and looked over shoulder to take one last look at the artwork,
  and revealed Harley Quinn makeup on her face.
  
  
  She tossed her arms up into the air as she danced her way out of
  the abandoned Louvre Museum as the reel came to an end.
  
  
  In conclusion, text on the screen revealed that an exhibition at the Louvre called Figures
  of the Fool will begin next month on October
  16.
  
  According to the official website, the museum is 'dedicating an unprecedented exhibition to
  the myriad figures of the fool, which permeated the pictorial landscape of the 13th to the 16th centuries.'
  
  In the caption of the post, the performer wrote to
  her followers, 'There's always a Joker. #FiguresDuFou #Louvre #JokerMovie.'
  
  
  Joaquin PhoenixLondonLady Gaga
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• Comment Link Thursday, 12 December 2024 00:25 posted by review iqos iluma one

  Joker: Folie À Deux (15, 138 mins)
  Verdict: Bold, brilliant sequel 
  
  Rating:
  
  A Different Man (15, 112 mins)
  Verdict: A touching satire  
  
  Rating:
  
  Venice, a city long associated with masks and masquerades,
  was the perfect place to unveil Joker five years
  ago; and last month, at the venerable film festival there,
  it was followed by the sequel, Joker: Folie À Deux.
  
  
  The director is again Todd Phillips, with Joaquin Phoenix once more in the title
  role, this time joined by Lady Gaga as what I suppose
  we must call the love interest, although that would undervalue her wonderful
  performance.
  
  We've known since A Star Is Born in 2018 that she can act, but she really is terrific in a bad-girl role.
  They'd have loved her at St Trinian's.
  
  This film is audaciously different in style from the original, not as electrifying, but bold
  and brilliant all the same.
  
  Arthur is now behind bars, waiting to see whether he
  will be judged sane enough to stand trial for murder, and in the meantime enjoying his celebrity status with fellow prisoners and even the warders, one of whom, a sadistic Irishman played by Brendan Gleeson, feeds him cigarettes in return for jokes.
  
  
  
  
  
  Joaquin Phoenix and Lady Gaga in sequel Joker: Folie À Deux
  
  
  
  
  
  Joaquin Phoenix in Joker: Folie a Deux - an American musical psychological thriller film directed
  by Todd Phillips
  
  
  
  
  
  Joaquin Phoenix reprises his role as the Joker,
  with Lady Gaga joining the cast as his love interest, Harley Quinn
  
  Lady Gaga plays Lee, a fellow inmate on her way, we suppose, to becoming Joker's girlfriend Harley Quinn.
  
  The pair hit it off at a music therapy class, and are soon mutually smitten, but
  Lee makes it clear that she loves the dangerously charismatic Joker, 'clown prince of crime', not the gloomily introspective
  Arthur.
  
  
  
  Read More
  
  Megalopolis review: Coppola's self-indulgent comeback may be a MEGAFLOPOLIS
  
  
  Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?
  
  Either way, identity confusion is the theme of this film,
  which keeps being billed as a musical. 
  
  It's not, really, although music looms large as an expression of Arthur and Lee's burgeoning love for one another.
  And there are a couple of swooning dance routines that make them
  look like psychotic versions of Ryan Gosling and Emma Stone in La La Land (2016).
  
  
  Moreover, it is while watching Vincente Minnelli's 1953 classic The Band Wagon that Lee, who claims to have
  been imprisoned for arson, sets fire to their prison wing.
  
  The ensuing chaos provides an excellent opportunity to escape, yet
  Phillips and his co-writer Scott Silver skilfully toy with our expectations throughout; each time we anticipate which way the narrative is going to go,
  it confounds us by wheeling off in another direction.
  
  
  
  
  Joaquin Phoenix in Joker: Folie a Deux - an American musical psychological thriller film directed by Todd Phillips
  
  
  
  
  
  For me, Joker was a near-masterpiece, and while this sequel doesn't scale
  those heady heights, it is still a gripping film about mental illness, writes Brian Viner 
  
  Eventually, after Arthur's high-profile TV appearance with a smug interviewer played by Steve
  Coogan, it is time for the trial, with all of Gotham gripped by the
  subject of multiple personality disorder.
  Is the defendant accused of five murders Arthur, or is
  it Joker? His kindly lawyer (Catherine Keener) strives to show it is the former;
  Lee just as urgently wants him to identify as his demonic alter ego.
  
  
  
  
  Read More
  
  His Three Daughters review: Savour this exquisite elegy to death
  and sisterhood, writes BRIAN VINER
  
  
  For me, Joker was a near-masterpiece, and while this sequel doesn't scale those
  heady heights, it is still a gripping film about mental
  illness; not quite comparable with all-time greats such
  as Psycho (1960) and One Flew Over The Cuckoo's Nest (1975), but
  not too far off.
  
  - Joker's Gotham, of course, is a lightly fictionalised version of New York City.
  The real thing is the backdrop to A Different Man, another absorbing story, splendidly written and directed by Aaron Schimberg,
  about an urban loner struggling with life.
  
  In the case of the troubled, self-conscious Edward (Sebastian Stan), an aspiring actor, that's apparently because he has a disfiguring craniofacial condition. Instructional corporate videos seem to be about as far as he
  can get in the acting world.
  
  There are obvious echoes of The Elephant Man (1980), and for that matter of recent release The
  Substance, in which Demi Moore's character, a former movie star 'disfigured' by a few wrinkles, finds a way of transforming into her own younger self.
  
  
  
  
  
  A still from the film A Different Man directed by Aaron Schimberg
  
  Here, Edward is told by a doctor that 'an alternative path has presented itself'.
  In other words, medical science has found a way to reverse his condition, turning him into a perfectly attractive middle-aged man.
  
  But Schimberg's point, made with great satirical swagger, is that Edward, despite
  his radical change in appearance, is still the same person underneath
  that he always was.
  
  In his former condition he was befriended by his pretty,
  charismatic neighbour, Ingrid (Renate Reinsve), a playwright.
  
  Now he is able to fall into bed with her, and to star in a play she has written about their relationship,
  little though she knows of his real identity.
  
  I was even reminded of Tootsie (1982) and Mrs Doubtfire (1993) as Edward's new
  persona fundamentally fails to alter who he actually
  is. This is illuminated by the arrival of Oswald, an Englishman with the same condition Edward once had, but popular,
  witty, confident, and gloriously played by Adam Pearson (who really does suffer from a disfiguring
  condition called neurofibromatosis).
  
  Pearson is probably best-known for his debut film, Jonathan Glazer's brilliant Under The Skin (2013).
  Which is apt, because this picture, too, is about what's under the skin.
  
  -A longer review of Joker: Folie À Deux ran a month ago.
  Both films are in cinemas now.
  
  
   
  
  
  
  Paul Weller's film debut? That's entertainment!
  
  The 68th London Film Festival opens next week with the world premiere of Blitz,
  director Steve McQueen's drama set in London as the Luftwaffe's
  bombs rain down night after night.
  
  Saoirse Ronan, for my money one of the most talented actresses of her generation,
  plays Rita, an East End mum whose son George (Elliott Heffernan) goes missing.
  It sounds intriguing even without the casting of The Jam's former front man Paul Weller — in his feature film debut — as Rita's father.
  
  
  I'm also very much looking forward to another world premiere, Joy, the story of the three brilliant British medical pioneers whose
  work on IVF led to the world's first 'test-tube' baby, Louise
  Brown, in 1978.
  
  
  
  
  Saoirse Ronan, Elliott Heffernan and Paul Weller in the film
  'Blitz'
  
  It is directed by Ben Taylor, best-known for his TV work on shows such as Sex Education and Catastrophe, and stars Bill Nighy,
  James Norton and Thomasin McKenzie.
  
  I have heard great things about Conclave, the adaptation of Robert Harris's novel starring Ralph Fiennes and Stanley Tucci.
  A couple of new documentaries catch the eye, too. One of them is made by actress Sadie Frost, whose directing
  debut was a film about Mary Quant. This time she turns to another fashion icon of the 1960s,
  with a feature called Twiggy.
  
  And Elton John: Never Too Late promises a 'uniquely intimate' look at the star's life and career.
  It's been made by his long-time partner David Furnish, so… we'll see.
  
  
  
  For more details, visit bfi.org.uk/lff.
  
  
  Lady Gaga