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5 Buddhist Quotes to Get you through a Rough Time

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5 Buddhist Quotes to Get you through a Rough Time

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    Joker: Folie À Deux (15, 138 mins)
    Verdict: Bold, brilliant sequel 

    Rating:

    A Different Man (15, 112 mins)
    Verdict: A touching satire  

    Rating:

    Venice, a city long associated with masks and masquerades,
    was the perfect place to unveil Joker five years
    ago; and last month, at the venerable film festival there,
    it was followed by the sequel, Joker: Folie À Deux.


    The director is again Todd Phillips, with Joaquin Phoenix once more in the title
    role, this time joined by Lady Gaga as what I suppose
    we must call the love interest, although that would undervalue her wonderful
    performance.

    We've known since A Star Is Born in 2018 that she can act, but she really is terrific in a bad-girl role.
    They'd have loved her at St Trinian's.

    This film is audaciously different in style from the original, not as electrifying, but bold
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    Arthur is now behind bars, waiting to see whether he
    will be judged sane enough to stand trial for murder, and in the meantime enjoying his celebrity status with fellow prisoners and even the warders, one of whom, a sadistic Irishman played by Brendan Gleeson, feeds him cigarettes in return for jokes.





    Joaquin Phoenix and Lady Gaga in sequel Joker: Folie À Deux





    Joaquin Phoenix in Joker: Folie a Deux - an American musical psychological thriller film directed
    by Todd Phillips





    Joaquin Phoenix reprises his role as the Joker,
    with Lady Gaga joining the cast as his love interest, Harley Quinn

    Lady Gaga plays Lee, a fellow inmate on her way, we suppose, to becoming Joker's girlfriend Harley Quinn.

    The pair hit it off at a music therapy class, and are soon mutually smitten, but
    Lee makes it clear that she loves the dangerously charismatic Joker, 'clown prince of crime', not the gloomily introspective
    Arthur.



    Read More

    Megalopolis review: Coppola's self-indulgent comeback may be a MEGAFLOPOLIS


    Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?

    Either way, identity confusion is the theme of this film,
    which keeps being billed as a musical. 

    It's not, really, although music looms large as an expression of Arthur and Lee's burgeoning love for one another.
    And there are a couple of swooning dance routines that make them
    look like psychotic versions of Ryan Gosling and Emma Stone in La La Land (2016).


    Moreover, it is while watching Vincente Minnelli's 1953 classic The Band Wagon that Lee, who claims to have
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    The ensuing chaos provides an excellent opportunity to escape, yet
    Phillips and his co-writer Scott Silver skilfully toy with our expectations throughout; each time we anticipate which way the narrative is going to go,
    it confounds us by wheeling off in another direction.




    Joaquin Phoenix in Joker: Folie a Deux - an American musical psychological thriller film directed by Todd Phillips





    For me, Joker was a near-masterpiece, and while this sequel doesn't scale
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    Eventually, after Arthur's high-profile TV appearance with a smug interviewer played by Steve
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    Read More

    His Three Daughters review: Savour this exquisite elegy to death
    and sisterhood, writes BRIAN VINER


    For me, Joker was a near-masterpiece, and while this sequel doesn't scale those
    heady heights, it is still a gripping film about mental
    illness; not quite comparable with all-time greats such
    as Psycho (1960) and One Flew Over The Cuckoo's Nest (1975), but
    not too far off.

    - Joker's Gotham, of course, is a lightly fictionalised version of New York City.
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    about an urban loner struggling with life.

    In the case of the troubled, self-conscious Edward (Sebastian Stan), an aspiring actor, that's apparently because he has a disfiguring craniofacial condition. Instructional corporate videos seem to be about as far as he
    can get in the acting world.

    There are obvious echoes of The Elephant Man (1980), and for that matter of recent release The
    Substance, in which Demi Moore's character, a former movie star 'disfigured' by a few wrinkles, finds a way of transforming into her own younger self.





    A still from the film A Different Man directed by Aaron Schimberg

    Here, Edward is told by a doctor that 'an alternative path has presented itself'.
    In other words, medical science has found a way to reverse his condition, turning him into a perfectly attractive middle-aged man.

    But Schimberg's point, made with great satirical swagger, is that Edward, despite
    his radical change in appearance, is still the same person underneath
    that he always was.

    In his former condition he was befriended by his pretty,
    charismatic neighbour, Ingrid (Renate Reinsve), a playwright.

    Now he is able to fall into bed with her, and to star in a play she has written about their relationship,
    little though she knows of his real identity.

    I was even reminded of Tootsie (1982) and Mrs Doubtfire (1993) as Edward's new
    persona fundamentally fails to alter who he actually
    is. This is illuminated by the arrival of Oswald, an Englishman with the same condition Edward once had, but popular,
    witty, confident, and gloriously played by Adam Pearson (who really does suffer from a disfiguring
    condition called neurofibromatosis).

    Pearson is probably best-known for his debut film, Jonathan Glazer's brilliant Under The Skin (2013).
    Which is apt, because this picture, too, is about what's under the skin.

    -A longer review of Joker: Folie À Deux ran a month ago.
    Both films are in cinemas now.


     



    Paul Weller's film debut? That's entertainment!

    The 68th London Film Festival opens next week with the world premiere of Blitz,
    director Steve McQueen's drama set in London as the Luftwaffe's
    bombs rain down night after night.

    Saoirse Ronan, for my money one of the most talented actresses of her generation,
    plays Rita, an East End mum whose son George (Elliott Heffernan) goes missing.
    It sounds intriguing even without the casting of The Jam's former front man Paul Weller — in his feature film debut — as Rita's father.


    I'm also very much looking forward to another world premiere, Joy, the story of the three brilliant British medical pioneers whose
    work on IVF led to the world's first 'test-tube' baby, Louise
    Brown, in 1978.




    Saoirse Ronan, Elliott Heffernan and Paul Weller in the film
    'Blitz'

    It is directed by Ben Taylor, best-known for his TV work on shows such as Sex Education and Catastrophe, and stars Bill Nighy,
    James Norton and Thomasin McKenzie.

    I have heard great things about Conclave, the adaptation of Robert Harris's novel starring Ralph Fiennes and Stanley Tucci.
    A couple of new documentaries catch the eye, too. One of them is made by actress Sadie Frost, whose directing
    debut was a film about Mary Quant. This time she turns to another fashion icon of the 1960s,
    with a feature called Twiggy.

    And Elton John: Never Too Late promises a 'uniquely intimate' look at the star's life and career.
    It's been made by his long-time partner David Furnish, so… we'll see.



    For more details, visit bfi.org.uk/lff.


    Lady Gaga

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Rick Cue

Patrick Walder

9919 Heinfels (AUSTRIA)

 

www.rickcue.com

office[at]rickcue.com

 

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About Rick Cue

Rick Cue fand schon in jungen Jahren die Liebe zur Musik. Mit 15 Jahren spielte er hin und wieder bei privaten Partys und organisierte bei einer heimischen Volksmusik Band, die Aftershowparty, welche im Laufe der Jahre immer beliebter wurde! Mit 19 Jahren bekam er dann die Chance in Osttirols größtem Club (Rancho Sillian) als Resident Dj sein Können unter Beweis zu stellen. Er spezialisiert sich in dieser Zeit auf den Italodance, der damals ziemlich gefragt war und lernte immer mehr an Techniken und Feinheiten bei Übergängen und Mikro dazu. Nach 10 Jahren als Resident machte er sich 2010 dann selbständig als Dj und hatte das Vergnügen mit großen nationalen und internationalen Dj’s zu spielen. Er versteht es wie kaum ein anderer seine Sets die heute ausschließlich aus Dance, Electro, House, Progresive House bestehen und mit Bootlegs, Mashups von ihm oder anderen Künstlern zu verfeinern. Es folgten Aufträge in Süd-, Ost- und Nordtirol, Kärnten, Salzburg, Oberösterreich und auch große Events mit tausenden von Begeisterten.

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